So it was quite a surprise to start reading through my Bradt Guide and finding a whole range of attractions, easily enough to keep any visitor busy for a month. But as my work was taking me to Bobo Dioulasso, in the south-west corner of the country, I decided to focus there. Bobo itself is a lovely town, with an old quarter full of artisans making woodcarvings, bronzes, batiks, etc (I spent a couple of hours there watching the production of three batiks), a pretty old mosque and lots of decent eating places.
The Peaks of Sindou, also deserted, gave me another chance for a bit of exercise,
It is an area where you can organise treks of many days, sleeping and eating in the villages, but I did not have the time. Mind you, trekking in the 40°C temperatures there would have been quite a challenge.
I also visited the Loropeni ruins. These comprise a mysterious set of big rock-walled enclosures in an area of woodland. Nobody knows when they were built or why, but they are impressive and were recently designated a UNESCO World Heritage Site. Just about worth the 160km each way along a dirt road on the back of a motorbike, although I’m not sure about the walking in the dark, waiting and final two hours squeezed with four others into the front of a lorry after the motorbike broke down 40km away from the end of the trip…
My final destination was Tiebele, a small village near the Ghanaian border famous for its architecture. Houses were traditionally built in a figure of eight shape, with the entrance only about waist height. This meant anyone entering the house would have to show their head first – which was thus easily chopped off by those inside if they were unwelcome intruders!
Thankfully tourists are not considered unwelcome in the royal palace of Tiebele, nor in a large compound in nearby Tangassoko. We help them to pay to continue painting the houses in the traditional way, with a number of symbols and geometric patterns, representing various important aspects of their lives and history. The “paints”, and the “varnish” which preserves it for three years, are made of natural muds, minerals and plants, but the cost of extracting and transporting these has meant that the tradition is dying out. Some are trying to replace it with a cheaper modern alternative, painting the walls with tar, but it really doesn’t compare.
Finally back to the capital, Ouagadougou, for my early morning flight home. The evening before the flight, however, I admit that I quite enjoyed being chatted up by a charming and good-looking young French man staying at my hotel. Something to raise the spirits – that despite my apparent loss of youth and beauty (see my last post) I still have something left that appeals to someone!